City Slickers

Amazon.com - Three middle-age buddies (Billy Crystal, Daniel Stern, Bruno Kirby) facing personal crises decide to sign up for a two-week cattle run for a change of pace. The trail proves a tougher place than anyone thought, and the boss (Jack Palance) is a grizzled taskmaster who doesn't cotton to tenderfoot urbanites. Popular in theaters, the film is both funny and moving, with Crystal giving one of his most complete performances and Palance (who won a Best Supporting Actor Oscar) a lot of colorful fun. Director Ron Underwood (Heart and Souls) subtly shifts the tone of the film from broad comedy to poignancy over its running time, and he makes the story's end a bittersweet victory that feels like life as most people know it. --Tom Keogh

Analyze This

Cast Robert De Niro and Billy Crystal together in a film and it should be a sucker's bet as to who's going to be funnier and who's going to give the more nuanced performance. Somehow, though, De Niro walks away with most of the laughs in Analyze This, a buddy action-comedy about a mob boss (De Niro, natch) suffering from panic attacks who makes a nebbishy shrink (Crystal, natch) an offer he can't refuse--actually, it's not really an offer, it's a command. The good doctor is forced to help the gangster get in touch with his feelings. Had the brilliant TV series The Sopranos not underscored how thin and watery and shticky director-cowriter Harold Ramis's approach to such potentially rich material actually is, the movie--a hit in theaters and De Niro's biggest film ever--would seem more fresh and kicky. De Niro's definitely a hoot as the ever milder menace, and Crystal actually concentrates on giving a credible performance opposite the acting legend (alas, he doesn't turn his character's fear of his patient into inspired comedy, as Alan Arkin did in Grosse Pointe Blank). The conclusion devolves into the requisite gunplay, and Chazz Palminteri and Lisa Kudrow are criminally wasted as an opposing mob boss and Crystal's fiancée, respectively, but overall, it's breezy fun. --David Kronke

Mr. Saturday Night

Amazon.com - Billy Crystal co-wrote, directed, and starred in this ambitious 1992 comedy-drama about an aged comedian named Buddy Young Jr., whose foul attitude and poor judgment have a strongly negative effect on his career and the people who care for him most. A survivor of the Borscht Belt tradition of stand-up comedians, Buddy's quick with a one-liner but clueless about how to treat people--he's like a cross between George Burns, Milton Berle, and a rabid pit bull. Helen Hunt plays Buddy's tolerant new agent who's been hired to revive his lagging career, but the movie's saving grace is David Paymer's Oscar-nominated performance as Buddy's much-maligned brother, who's helpless to stop Buddy's downward spiral. Having invented the Buddy Young character for his own comedy routines, Crystal knows this comic curmudgeon inside and out, and his show-biz savvy adds much-needed authenticity under layers of phony-looking old-age makeup. The movie works best when it's offering insight into Buddy's lifetime of disappointment, and some of the dialogue is memorably sharp. Crystal can't resist a seemingly forced happy ending, however, and the closing scenes resort to sentimentality that clashes with the rest of the movie. --Jeff Shannon

When Harry Met Sally

Amazon.com - Nora Ephron wrote the brisk screenplay for this 1989 romantic comedy, director Rob Reiner made a nicely glossy New York story (very much in a Woody Allen vein) out of it, and Billy Crystal's unstoppable charm made it something really special. Crystal and Meg Ryan play longtime platonic friends who keep dancing around their deeper feelings for one another, and Bruno Kirby and Carrie Fisher are their respective pals who fall in love and get married. Ryan doesn't get a lot of funny material, but her performance is typically alive and intuitive, and she more than holds her own with Crystal's comic motor mouth and sweet sentimentality. Reiner is on comfortable ground, liberated from the burden of making serious statements in the lead-footed manner of subsequent features. --Tom Keogh

Running Scared

Amazon.com - This moody 1986 buddy picture and police drama represented a change of pace for both stars. Billy Crystal and Gregory Hines play two Chicago police detectives who, feeling gun-shy about the inherent danger of their jobs, contemplate retirement in Florida. They just can't shake the allure of their work, however, particularly when their pursuit of a notorious drug dealer (Jimmy Smits) turns personal and deadly. While there are more than enough light moments generated by the easy and convincing rapport between Crystal and Hines, director Peter Hyams (The Star Chamber, 2010) succeeds in straddling the two disparate moods to create a taut and engaging action picture. --Robert Lane

Throw Mama From The Train

Amazon.com - America's Sweethearts is just the kind of romantic froth that makes for pleasant viewing on a lazy, rainy day. While Julia Roberts, John Cusack, and Catherine Zeta-Jones offer high-wattage marquee value, costar and cowriter Billy Crystal reworks Singin' in the Rain for latter-day Hollywood, where estranged superstars Gwen (Zeta-Jones) and Eddie (Cusack) reluctantly promote their latest movie by pretending their messily disputed relationship is still going strong. The studio chief (Stanley Tucci) is desperate for a hit, so he hires a seasoned publicist (Crystal) to orchestrate a press junket that will cast everyone in a profitable light. The catch: The director (Christopher Walken) has abducted his own film in an act of artistic extortion, and Gwen's sister and longtime assistant Kiki (Roberts) is the true object of Eddie's desire.

Chaos ensues at the luxury hotel where the junket is scheduled, and America's Sweethearts pokes easy fun at the cynical machinery that keeps Hollywood running. Quotable quips are delivered in abundance, and while Zeta-Jones is readily convincing as a bitchy narcissist, Roberts effortlessly steals the show with her trademark charms. All of which makes America's Sweethearts lightly entertaining, even though it never rises (like Roberts's earlier Notting Hill) to the level of classic romantic comedy, hampered by a script that too often substitutes easy laughs for ripe satirical invention, flashing a phony grin when it should be baring its fangs. --Jeff Shannon

Analyze That

Amazon.com - Analyze That has more bada bing than its lukewarm reception would lead you to expect. Analyze This (1999) had the advantage of a then-fresh idea--Robert De Niro as a neurotic mob boss seeking therapy with reluctant shrink Billy Crystal--but that idea's stale (and has been handled more authentically in The Sopranos), so this sequel relies on established chemistry and zesty dialogue that matches the original. There's nothing wrong with a retread when it's this funny, and De Niro's latter-day penchant for comedy suits him well when, as kingpin Paul Vitti, he lures Dr. Sobel (Crystal) into a prison breakout scheme involving faked catatonia and West Side Story show tunes. The contrived plot involves Vitti's criminal comeback. Unfortunately, there's little room for Lisa Kudrow as Sobel's sarcastic wife, but De Niro's Raging Bull costar Cathy Moriarty-Gentile is welcomed as a rival mob queen. You want a comedy masterpiece? Fuhgeddaboudit. You want 95 minutes of easy fun? It's right here... and don't miss those obligatory outtakes. --Jeff Shannon