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Mike Hammer TV Show Overview

Mickey Spillane's Mike Hammer, with Stacy Keach in the title role, is a television series that originally aired on CBS from January 28, 1984 to January 12, 1985. The series was 24 sixty minute episodes. The show followed the adventures of Mike Hammer, the fictitious private detective created by crime novelist Mickey Spillane, as he hunts down criminals on the mean streets of New York.

Mike Hammer, Private Eye - The Complete Series

Amazon.com DVD Review - Not to be confused with Mickey Spillane's Mike Hammer, which aired in the mid-'80s, or the several made-for-TV movies produced during that same decade, Mike Hammer Private Eye offers all 26 episodes (totaling more than twenty hours and four double-sided discs) from the single season (1997-98) in which Mickey Spillane's pulp P.I. was revived for a syndicated series.

What all of the above have in common is Stacy Keach in the title role; and despite the many Mike Hammers (including Armand Assante, Brian Keith, Ralph Meeker, Darren McGavin, and even author Spillane himself) who preceded him, Keach makes the part his own. He was in his mid-fifties by then, not exactly light on his feet anymore, and sporting a hairpiece that does him no favors. But in Keach's hands, Hammer is an appealing hero, flawed but likable. This time around he's dealing with computers, Internet porn, tobacco company whistle blowers, talk radio blowhards, and other funky features of the late 20th Century, along with the usual whores, junkies, and assorted lowlifes. But Hammer is still a tough-talking, hard-punching lug, engaging in macho repartee ("What're you, drunk?" "Nah, just thirsty"), dispensing world-weary voice-overs ("Art? I couldn't tell a fresco from a Fresca"), and remaining fiercely loyal to his friends and helpers (including Shannon Whirry as sexy secretary Velda and Shane Conrad as kid sidekick Nick) as he doggedly seeks and destroys the bad guys ("I'm not a killer, Mike. I'm a pervert!").

Too bad the rest of Mike Hammer Private Eye (whose meager bonus features include a recent interview with the star) doesn't quite measure up to Keach's engaging performance. The budget for this series was clearly lacking; production values are pretty poor (with cheesy interiors that bring to mind Jack Webb's Dragnet, produced some thirty years earlier), and a good number of the supporting actors are less than stellar. But whereas one could never quite be sure if Webb's Sgt. Joe Friday was as square as he seemed, there's no doubt that Keach and everyone else involved have their tongues planted firmly in cheek, which makes Mike Hammer Private Eye a genuine hoot. At the very least, any show that uses "Harlem Nocturne" for a theme song has got to be worth checking out. --Sam Graham

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